Everything from one shoot

A whole storytelling operation in one place.

Ingest footage, let Cue understand it, then cut, publish, and steward — with a human approving every step.

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Cue · MCP + API
Your whole story library, readable by AI agents.

Claude and ChatGPT can read your story library and make undoable edits, each with Yes/Undo. Create a token in Settings > Connections. A person approves anything final.

CCue✦Claude◯ChatGPT

The platform

Every stage of the story, in one system.

Find the story in your archive, plan it, film it, edit it, share it and see how it did. Cue works with you at every step, and every change comes with Yes and Undo.

StoryMine story ideas Cue found in the footage
Edit page with the cut Cue assembled
The Publish dialog, where a cut goes out to each channel

Clips Live

Clips: a month of posts from one interview.

Cue finds the best moments in your footage and scores each one. You Keep or Pass, adjust the ends, and send them to a story or straight to your channels. Each moment becomes a cut for each channel: YouTube, YouTube Shorts, LinkedIn, Instagram and more.

See plans
Clips page: eight moments from one interview, each with Cue's score and Keep, Pass and Adjust the ends
A clip opened: score 95 out of 100 with Cue's reason, trim handles, Add to campaign, Send to distribution, and the transcript with where the clip starts
Open a clip to see its score and why, drag the ends, and send it to distribution.
Move the mark: one point on the speaker, with outlines showing what the 1:1, 4:5 and 9:16 shapes keep
Place one point on the speaker and every shape keeps them in frame.

01 · Plan

Plan the year and every story

Cue drafts the year's goals from five questions. Every story's plan stays on the story, with its shots and questions.

The year plan: goals Cue drafted from five questions

Storyboards

Pre-production storyboard generation and post-production client review in one surface. Every panel links back to its source asset, so feedback stays grounded in the actual footage.

Human control:Clients review and approve panel by panel.

The StoryOS post-production board with feel presets and timed panels

02 · Idea

Idea: StoryMine and four more ways in

Finds the stories worth telling in your archive, across terabytes of interviews and b-roll.

  1. It mines your whole archive. Point it at drives holding terabytes of footage. Every file is transcribed, and StoryMine notes who is speaking, where it was filmed and what kind of shot it is.
  2. It suggests stories. Each idea comes with a one-line pitch, the people in it and why it matters now. Stories you've already told are set aside.
  3. It lays out the beats. Hook, turn, proof and ending, using the real lines from your interviews, in play order, with the running time.
  4. You decide. Swap a line, take one out, say if more footage is coming, then approve.
  5. The edit starts itself. The first cut builds from the beats you approved, ready in minutes.
  • Your archive. StoryMine finds the stories already in your footage.
  • Your plan and goals. Each goal can start an idea.
  • Interviews. A new interview opens new ideas.
  • Cue's suggestions. Cue proposes ideas and says why each matters now.
  • Repeat ideas. Bring back an idea you want to run again.

Human control:nothing is built until you approve the story.

StoryMine story ideas: 14 ideas Cue found in the footage, each with its kind, its clip, and Start or Plan
Example: StoryMine reads an interview transcript and places four lines into the story: Hook, Turn, Proof, and Ending.

03 · Film

Film with the camera you have, on any device

Bring files from pro cameras like RED, DJI and Sony, with their camera LUTs, or from any camera. Record in the browser, or on your iPhone with StoryOS Capture. Everything joins your library.

No crew yet? Find production talent in the marketplace.

Download on the App Store

Android is coming soon.

StoryOS Capture on iPhone, recording an interview

Production talent marketplace

Find the people to film it.

Find videographers, photographers, editors, colorists, audio engineers, motion graphics artists and drone operators for your projects. Filter by local, regional, national or remote, and by people open to pro bono work.

Find production talent: filters for videographer, photographer, editor, colorist, audio, motion graphics and drone operator, plus local, regional, national, remote and pro bono, above a grid of creative profiles
A creative's profile with portfolio photos, location, links and an about section

04 · Edit

Edit page

One Edit page takes your cut from first pass to finish. A full-screen Advanced editor opens for detail work, with export to EDL, FCPXML, and Premiere XML.

Human control:Editors drive every stage; you ship the final cut.

Edit page where Cue assembled the cut: the channels, the transcript with removed lines, the player with a name lower third, and the timeline
Comments on a cut: Greg asks Cue to cool the film, Cue explains what it would change, and What Cue changed appears with an Undo button
Ask Cue in a comment. It says what it would change, makes the change when you say Yes, and keeps Undo in reach.
Look and sound panel on the Edit page: render style, brand, end card and logo watermark
Look and sound: pick the render style, the brand and the end card.

Cue works at every step

Cue works across the whole story: plan, idea, film, edit, share, and impact. It drafts and suggests, and every change has Yes and Undo. The story graph remembers each decision, so context carries forward across your team.

  • Asks the right question. When something is unclear, Cue asks a person on your team before it guesses.
  • Recommends the next step. Every story shows what needs you next.
  • Suggests clips. Cue finds the best moments in your footage and scores each one.
  • Proposes edits. Each change comes with Yes and Undo.
  • Learns your organization. Cue reads your org profile, your transcripts and your story graph.

Human control:Suggest-and-approve on every consumer-facing change.

Example: Cue asks “Trim the institutional block?”. A person taps Yes, the cut gets 93 seconds shorter, and an Undo button appears.
Comments on a cut: Greg asks Cue to cool the film, Cue explains what it would change, and What Cue changed appears with an Undo button
Ask Cue in a comment. It says what it would change, makes the change when you say Yes, and keeps Undo in reach.
Cue describing what it would change, with a Yes, do it button
Cue says what it would change and waits for your Yes.

05 · Share

Share: Story Pages, reviews and publishing

Story Pages give each story its own page for the audience you choose. Publish a cut for each channel from one place, and invite guest reviewers to comment before you go live.

Human control:Pages are published deliberately, per audience.

A public Story Page from RiseWorks: the title, the film, the story in words, and Read the full story
The Story Page editor: pick a look, then reorder, hide or rewrite each section, with Cue offering to rewrite the words
Edit the page. Pick a look, order the sections, ask Cue to rewrite the words.

05 · Share: publish and plan

One calendar for every channel.

Cue lines up posts for each channel at the best time. The calendar also holds your shoots, recordings, bookings and key dates, so a story’s plan and its posts sit in one place. See it by month, week or list. Approve, sign off, hold or schedule each post.

The Calendar page in month view, titled Every dated thing, in one place: shoots and recordings, drafted and posted items, and campaigns together on October's days, with filters for Everything, Posts, Shoots and recordings, Bookings and Key dates
The Distribution page in month view: Cue lined up posts for YouTube Shorts, LinkedIn, Instagram and Facebook, and posts sit on the days they are suggested for
The Distribution page in week view: three Facebook posts on Tuesday, each with Approve, Cancel, Sign off and Hold
The Distribution page in list view: channel health, the Suggested, Approved, Scheduled and Published tabs, and a drafted post with Approve, Sign off, Hold and Schedule

06 · Impact

See how your channel ranks in your city.

See how each story did, and how your channels compare in your city. RiseWorks tracks 5,128 nonprofit YouTube channels across 15 US metros. See where your channel stands against peers in your metro, and what the leaders do differently.

See the benchmarks →
Channels tracked
5,128
US metros
15

Example: how your channel ranks in your metro

  1. #1Metro leader
  2. #2Peer org
  3. #3Peer org
  4. #4Your channel
  5. #5Peer org

Metros tracked, by channels

  1. New York City255
  2. Washington DC243
  3. Chicago232
  4. Los Angeles218
  5. Denver216

What you can make

The platform powers the tools your team uses every week. Each one turns footage into something your audience can see.

Edit page where Cue assembled the cut, with the transcript, the player and the timeline
Edit pageLive

Take raw footage all the way to a finished cut.

One Edit page and a full-screen Advanced editor. The first cut builds itself, and you export to EDL, FCPXML, or Premiere XML.

Planning page with the year at a glance and this quarter and the next
StoryboardLive

Plan the shoot and get sign-off before you roll.

Generate pre-production storyboards, then let clients review and approve panel by panel, each linked to its source asset.

Graphics page with story sets and Cue's set of stat cards
Graphics setsLive

Names, quotes, stats, and end cards in your brand, ready to drop into the cut.

Publish, Each platform step: Cue's LinkedIn caption with its checks, links and tracking, and Continue to review
PublishLive

Publish to every channel from one place.

Pick the platforms, review Cue's caption for each one, and schedule at Cue's best time.

See the calendar →

StoryRoom Coming soon

Private donor premieres with tier-gated access, HLS playback, and live chat. Organizations control who sees each screening and when — StoryRoom handles the infrastructure.

Human control:Access is tier-gated and host-controlled.

A performer on stage in an empty auditorium — the screening-room scale StoryRoom is built for

The closed loop

Stories become campaigns. Campaigns become gifts.

Coming soon

A story owns its footage, clips, consent, and posts. A campaign points a set of stories at one goal. Appeals and gifts are coming soon.

StoryOSOne story graphExample
  1. 01The story2:14 film, 6 clips
  2. 02Campaign3 stories · Give Miami Day
  3. 03AppealSent to 1,200 donorsComing soon
  4. 04The gift$4,860 credited to the storyComing soon

what raised money shapes next quarter's slate

01 · The story

One story owns everything it made.

Interview, Transcript, Consent, Clips, Posts, Reviews.

02 · Campaign

Point a set of stories at one goal

Audiences, channels, and a schedule.

03 · AppealComing soon

Stamped into your donor CRM

Each appeal credits exactly one story.

04 · The giftComing soon

Dollars sum back to the story

No gift counted twice.

And the loop closes — what raised money shapes next quarter's slate.

Three commitments that hold across every feature

Human approval on every narrative surface

Cue proposes and drafts. A human approves before anything reaches a client, donor, or audience.

No AI-generated visuals

Every frame that reaches a client comes from footage your organization owns or has licensed. StoryOS analyzes and assembles real footage.

Provenance on every asset

Every asset records where it came from. StoryOS records who appears in each clip and marks anything still missing a release before it goes out.

Start telling better stories

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